Starring Lo Lieh, Wang Ping, Bolo Yueng, Chao Hsiung, Jin BongJin, Tien Feng, Chin Chi Chu, Chung Ku Wen, Chan Shen, James Nam (Kung-Hsun Nan)
Fight Choreography by Liu Chia Yung and Chen Chuan
Directed by Chang Chang Ho
The moment you hear the opening siren, you know that 1.)You heard this same siren to signal when Uma Thurman was going to go nuts on someone in Kill Bill, and that 2.) Damn does Tarantino have an original thought in his head? King Boxer is widely considered to be the film that started the kung-fu craze in the States that paved the way for Enter The Dragon, which followed the same year.
The film stars the great Lo Lieh as Chih-Hao, a martial artist whose training has gone as far as it can, and is sent with his friend Ta-Ming to study Kung Fu under Master Suen. Chih Hao travels to the town of Ko Kui, where the town is being run by a rich bastard Meng Tung-shan (Feng) and his even more bastard son, who, after witnessing a fight between a mongolian (Yueng) and the mysterious fighter Chen (Chu), are able to convince Chen to join them. No sooner does Chih-Hao arrive in town than he pisses off the gang controlled by Meng to save a local entertainer, Miss Yen. Soon he arrives, and after a year is allowed to fully train under Master Suen, who sees the promise the young Chih-Hao has, and teaches him the Iron Palm technique, so brutal it turns his hands red and anyone hit with a strike from his fists dies in what looks like a pretty painful death. Meng finds out, and tries to destroy the Suen school, and Chih-Hao with it, and mutliple betrayals leads to a satisfying and brutal climax…
The story here is what makes this film great. The fall of Chih-Hao and his betrayal at the hands of a friend, who pays a terrible price for his betrayal by having his eyes plucked out, and the final act, where revenge is paid out to different characters on several levels is classic in the way the plot is constructed as cascading events lead to this inevitable conclusion. Lo Lieh, who had made a career playing mostly bad guys, is good here as the good guy Chih-Hao, and Tien Feng, always a great performer in Shaw Brothers films, is as good as always as the villainous Meng, especially toward the end when Meng makes a tragic mistake. James Nam is also good as the betrayer Han Lung, who pays a heavy price and becomes a sympathetic character who meets a tragic end with the woman he loves.
The fights here are actually not very good compared to many other Shaw Brothers film, but this truly a “blood capsule” film: whenever anyone is in their death throes they bite down on that capsule and let the blood flow from their mouths to simulate massive internal injuries. The choreography looks almost clumsy at times, as if the fights were put together quickly (they probably were). The camera work does a great job of framing the fights, and this film has no shortage of fights, even if they aren’t as good as they could be.
The final fight between Chih-Hao and Okada turns unto something we’ll see years later in The Matrix films as Chih-Hao starts punching through wooden posts and one strike sends Okada flying into a cement wall, causing a small crater. The effects bring a lot of fun to all of the fights, and could have come off cheesy but work well within the world they created. The camera work does a great job of framing the fights, and this film has no s
On a side note, Kill Bill uses the siren music and other notes from this film, and of course the eye plucking scenes.
Kiai-Kick’s Grade: 9
King Boxer started the successful influx of kung-fu cinema into the United States, and internationally brought the Shaw Brothers film style to the masses, with a great story and hallmarks that would define old-school kung-fu films of the 70’s.
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